Mind Scavenging for Sitaram Yechury

By Sujnan Nayak

On Twitter @SujnanNayak

(Edited only for Hyperlinking and formatting - Else retained verbatim)

It has become a fashion nowadays to criticize Gujarat & “Only GUJARAT” to get in the limelight. It is just like a cheap publicity stunts played by heroines of our film industry when their stars are fading and Sitaram Yechury is no different. Now that the puerile debate of Temple vs Toilets is in vague Mr Sitaram wrote another op-ed taking about “Dirt” in Gujarat Development Model. You can read that here


Sitaram’s obsession & hate for RSS/BJP is visible from the fact that couple of more recent articles start with “The RSS/BJP ....

1) “The RSS/BJP had perfected the art of double speak" here

2) “The RSS/BJP is already sounding the victory bugle" here

Mr Sitaram usually start with RSS/BJP and ends with communalism or Narendra Modi and it doesn’t matter whether he is talking about Economic Policies, Social issues or Foreign policy he has his fixed agenda of bashing BJP/RSS as if there are less people on TV channels to do this job.

So like Mr Sitaram I won’t go round in circle and come straight to the point. In the article “The dirt on Gujarat development model”

Mr Sitaram talks about manual scavenging in Gujarat apart from the usual rhetoric and compares it with Kerala. (A Model based on foreign remittances) He says “In a recent survey, a community-based organisation fighting for the rights of the scavenging community, Manav Garima, found that there are 126 spots where manual scavenging is practised under the aegis of the Ahmedabad Municipal Corporation.”



So Mr Yechury here are some of the statistics that may help you understand better about your “Development Model” in West Bengal which your party ruled for more than three decades and Kerala.



According to the report   Manual Scavengers: Welfare and Rehabilitation No. 18 /RN/Ref./August /2013

West Bengal has 1,30,330, Kerala 3011 & Gujarat has 2566 manually serviced insanitary latrines. WOW!! How come a state ruled by progressive, socialist & secular party (CPM) for so long have such social indicators? May be toilets aren’t that secular to be taken care of.

Here’s another



By the talks of Mr Yechury Manual Scavenging must be only existing in books in West Bengal & Kerala but here are the facts

In West Bengal there are 6465 households where manual scavenging is done whereas it’s 1119 in Gujarat & 843 in Kerala not far behind.  Uttar Pradesh tops with 100634.



Hope these statistics are enough to prove to the reader who is the hypocrite.

Finally, Mr Sitaram your obsession can be understood by the fact that your political ground is shrinking day by day but attacking BJP/RSS without a valid point will not help.

Manual Scavenging is a black spot on India’s society which needs to be eradicated. Even after passing of Employment of Manual Scavengers and Construction of Dry Latrines (Prohibition) Act, 1993 we still see manual scavengers in our cities and rural areas. Manual Scavenging is against the people’s right of dignity of life but we have long turned a blind eye towards these people who make a living out of someone else dirt. Hope we see a real change in India rather than empty promises which are served as sanjeevani during elections.

Manual Scavenging should be prohibited from India forever and not only from Gujarat. As far as people who blindly support or hate Narendra Modi are advised to look at the statistics and ask questions to the rulers and bring about a real social change.

#NavratriWithSriSri - Quiz Rules

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@MPNaveenJindal Shares Suspicious Document

On a day when Supreme Court delivered a landmark verdict  allowing Voters to cast negative vote, some folks jumped to take credit. First amongst them was MP Naveen Jindal, Kuruksetra MP. He tweeted (screenshot below) claiming credit  (indirectly albeit) that they had made a "Recommendation" and shared a Law ministry document through the tweet.



While this is not a judgement on veracity of this MP, Naveen Jindal's Claim, something is definitely amiss here.

This document shared contains suggestions received from various quarters, by "no means indicates or proves" it was forwarded or recommended to any forum for implementation (that is what is implied).

Second, this document created on 1/1/2003 (Now, we can definitely hear a rebuttal that it was created on system, whose RTC was corrupt, LOL!). Everything about that document looks shady...

Document created in Jan 2003

The very first suggestion is from Shri Naveen Jindal, "MP (Lok Sabha)" whose first Lok Sabha stint started only in 2004.

Will the Hon'ble MP clarify? BTW! It was a day to bash up their own Prime Minister. The CONgress party Vice President Rahul Gandhi also trashes an ordinance moved by his own Government. So a day to salvage (more like create one) image and usurp credits and blame everything on this Prime Minister.

Leela Samson - (Un)worthy Inheritor of Proud Legacy

Leela Samson, the Censor Board Chief (as with her usual condescending ways) calls most members of the board uneducated and an embarrassment. When legal notice was issued by 2 of the members, she was forced to apologize and play with words saying she meant "Cinema Illiterate" - What is her literacy on Cinema anyway?



Reminds me of her days in Kalakshetra, Chennai where she was far more vicious and yet could get away due to the backing of the Powers-that-be. She changed the logo of years (since 1936) because it had Lord Nartana Ganesha with Lord Shiva's Emblem.



Citing superstition, she ordered stopping worship of all Lord Ganesh images in the campus for which traditionally puja was offered. But students at considerable risk to their own career with the help of some Hindu Cultural Organizations did not get cowed down and protested strongly. She had ordered removal of  Lord Ganesh Idols  but had to restore the one in front of theater due to protest.

Height was when she refused permission and threatened expulsion of students from participating in inaugural dance piece in the Health and Happiness Program Organized by His Holiness Pujya Gurudev Sri Sri Ravi Shankar 's The Art of Living in Chennai between Dec 5th to 8th 2006. As with done earlier in different states in the Silver Jublilee year of the Art of living (Mohiniyattam in Kochi, Odissi in Bhubhaneshwar and so on), it was decided to host  a performance of 500 dancers (one of whom happened to be my Daughter :-) showcasing Bharatnatyam as TN's contribution to dance. She opposed participation of Kalakshetra students giving a ridiculous  Reason: It is a "Hindu Event". She had no qualms to revel in the glory that this Hindu Dance form brought her. Unfortunately for her, the Student-Artistes ignored her threat, came and participated in the event, reminding her that Art is bigger than the Artist. She then continued harassing the Faculty who participated and coordinated in the event, till Karma caught up with her in the form of a CAG report.

CAG report severly indicted her ways of functioning - Principal Accountant General (Civil Audit) of Tamil Nadu and Puducherry raised objections to the awarding and upgrade of civil works, procuring of unused sound systems worth Rs.62 lakh and consulting an architect (and not a competent third person) to analyse tenders for the Koothambalam auditorium's renovation.


Controrversial Renovated Auditorium (Koothambalam)

All the renovations and spending meant Kalakshetra took Rs.8 crore from the consolidated fund.Apart from renovation processes, the report showed irregularities in 16 appointments at the institution.

That is Leela Samson the renowned artist for you. Legendary Rukmini Devi Arundale will not be too pleased at her protege's exploits

PS: A cursory Googling of "Leela Samson Controversy" would throw up results predominantly of "The Hindu" (not surprising, foretelling the things to come) and most of them drumming up support for her

All about 14 - Ananta Chaturdashi Vrata

Ananthanatha Devesha Anantha Phaladayaka; 
Ananthamurthy Vishwathman Ananthaya Namo Namah

Padmanabha Swamy Temple - Karkala

Anantha Chaturdashi is observed on the 14th day of the Waxing Phase of moon (Shukla Paksha), in the month of Bhadrapada of the Chandramana Calendar (Lunar Calendar) in honor of Lord Vishnu in the lying posture (Ananta Shayana) on the bed formed by Anantashesha (Adishesha - the serpent with 1000 hoods). The Vrata performed on this day is thus called Ananta Padmanabha Vrata.

"Ananta" : indicates that which is endless. Shesha means that which remains after everything ends. Lord Krishna in Bhagavad Gita (10:29) "anantahcha asmi naaaaaam" (Among Nagas I am the Ananta). Ananta's 1000 heads symbolizes Jnana (Knowledge) and heightened state of Awareness. Lord Vishnu reclining on the bed formed by coiling of Ananta, indicates Ananta as a Perfect Yogic posture, uniting opposing forces of Stira (Rigidity) and Sukha (Comfort) Ref: Patanjali Yoga sutra : "Stiram Sukham Asanam".

Beautiful Full Moon Lit Bangalore Skies - Ananta Chatrudashi Moon

Background : When Yudhistra asks of  Lord Krishna for solutions for easing of their suffering and regaining their kingdom and wealth, Lord Krishna advises performing Anantha Padmanabha Vrata every year for 14 years on the 14th Day of Bhadrapada Month, as prescribed in the Bhavishyottara Purana. At the end of 14 years and the vrata has to be concluded with Udyapane.

Seven number of Darbha (Kusa) Grass is tied together to represent 7 hoods of Anantha.  Lord Vishnu is worshipped with 14 types of pushpam (flowers), 14 types of patram (leaves), 14 types of Phalam (fruits). 28 numbers of Atirasa/Kajjaya forms the Naivedyam (Sweet made of Jaggery and Wheat/Rice Flour) of which 14 is given away as daana (charity to Brahmin).

Another important requirement of Naivedya (and all Prasada) is that it has to be soft (maybe it is practice limited to some) - there are no hard sweets or eatables prepared on this day.

14 types of Flowers, 14 types of Leaves and 14 types of Fruits


Lord Anantha Padmanabha - decked in all Splendor


The Puja Set-up


Archana to the Murthi


Anantha Gantu (Knot) The Rangoli in front of the Peetha

Another important aspect of this vrata is the Dora Granthi darane (also called Ananta Daara). Puja is performed with Turmeric, Kumkum, Akshate and other rituals to this sacred thread made of 14 strands with 14 knots which is then tied on the right hand  which acts as a Raksha to the wearer and this is worn until replaced the next year. (In some families unmarried children wear the earlier year's daara worn by the parents which is replaced by new ones). Generally it is worn on the right wrists by both men and the women (our practice). But there is a practice of women wearing it on their left wrists while the men wear it on the right wrist.


Dora Granthi (for Men) - Anantha Daara


Dora Granthi (for Women) - Anantha Daara

The puja culminates by recital of Sri Vishnu Sahasra Nama Stotram, Purusha Sooktam, Sri Vishnu Sooktam & Mahamangalarati.

Here is me enjoying the prasada with my children :-) after the puja.


The Prasada


Perdoor Ananta Padmanabha Swamy Temple - Udupi

Shaantaakaaram Bhujaga-Shayanam Padmanaabham Suresham
Vishvaadhaaram Gagana-Sadrisham Meghavarnam Shubha-angam
Lakshmi-Kaantam Kamala-Nayanam Yogibhir-dhyana-gamyam
Vande Vishnum Bhava-Bhaya-Haram Sarva-Lokaika-Natham

May Lord Vishnu Bestow Happiness to all!

All the pictures above clicked after puja performed by Sindhu -ji's family. She is an ardent follower and Faculty of His Holiness Sri Sri Ravi Shankar of The Art of Living. Admirable fact is that this joint family despite leading a life in a city like Bangalore celebrate all festivals in a traditional manner.

Onam Message - Celebrate Act not the Actor

Onam 2013 has turned out to be significantly different compared to the earlier ones that I have celebrated with friends and families in the past. A new insight as I was discussing with a lot of my friends who have contributed to my understanding of the festivities and rituals. A personal thanks.

Upfront a personal note

This may not be the traditional belief, but purely my take and hence pardon my ignorance in case of conflicts with my understanding - a word on what caused it would be highly appreciated.

Our Chennai Days - With Sri Sukumaran and Family

While discussing with those who celebrate Thiruvonam (or simply Onam as it is popularly known) in a traditional way I could not help be awestruck realizing of the deeper significance of this Harvest Festival and the legend behind it.

Onam is celebrated over 10 days starting Attham (Hasta) Nakshatra in the month of Chingam (Solar Calendar followed in Kerala) and ends on Thiruvonam (Shravana) Nakshatra  (the 10th day) . It is also celebrated by some in the Coastal Karnataka with equal gaiety and pomp.

Mahabali was the King of Asuras, grandson of Prahlada, who despite being born as an asura was known as paragon of devotion to Lord Vishnu. Mahabali was brought up under the tutelage and guidance of Prahlada from whom he imbibed the qualities of devotion and governance.

Mahabali Visits Art of Living Ashram :-) Panchakarma Centre

During Mahabali's reign, the kingdom never saw poverty, crime or any societal ills and hence revered by his subjects. But Asura that he was, was not considered trustworthy and his ambition made him expand his kingdom and becomes Ruler of all the 3 worlds - an Asura ruler was against the laws of nature. Devas approach Lord Vishnu for a solution and when Mahabali was performing Ashwameda Yaga, Lord Vishnu appears in the form of a small brahmin boy (Vamana Avatara) and seeks to fulfill his desire as promised by the King during the Yaga. Upon which the righteous Mahabali offers to fulfill any demand that was placed by the boy who demands land covered by 3 steps.  Despite warnings from his Guru who foresaw disaster and had a vision that it indeed was Lord Vishnu who appeared in this form to deprive Mahabali of all his belongings. But Mahabali who valued Maana (Honor) even at the cost of his life told his Guru: "I should be the most fortunate one as the Lord, who gives everything to mankind, is seeking something from me." So saying he offered to donate the Three steps that the brahmin boy sought. Vamana then grew in size so mammoth that one step covered the entire earth, the next the whole of Heaven and there was nothing left to claim for the 3rd step.  Mahabali the man of honor did not hesitate to offer his own head in lieu of land. Vamana steps on his head and sends him to Sutala, the heaven of Patala (the netherworld)

Lord Vishnu also appoints him as the King of Netherworld and also position of Indra for one Manvantara. Mahabali who loved his subjects very dearly also seeks Lord Vishnu to allow him to visit them once every year. And it is this visit that is celebrated as Onam.

The festivities includes ceremonial welcome of Mahabali on the first day. Clay idols painted red (called Trikkakarappan) to which all the harvests are offered first thanking him for the Gift of abundance showered.

Trikkakarappan-Representing Vamana (Mahabali too)

Maveli nadu vaneedum kalam,
manusharellarum onnupole
amodhathode vasikkum kalam
apathangarkkumottillathanum

(When Maveli ruled the land, All the people were equal. And people were joyful and merry; They were all free from harm.).  On the last day of Onam (Thiruvonam), the clay idols are immersed in sea/river with a prayer to Mahabali to return next year.

An essential part of the fesitiviy is laying out of the now famous & renowned flower rangoli called Pookalam. Some pictures below, the way we celebrated with friends

In Nasik - With Mr. Thomas (yes, it "was" secular)


In Chennai - With Sri Sukumaran & Family

Traditionally each day the Pookalam gets bigger and the 10th day was the grandest one.  And this in itself was an enjoyable ritual for children, thanks to friends who celebrated it traditionally.

And then business part (for me) of any festival the famous, Onam Sadhya (Onam Feast)

Enjoying the Feast - With Sri Sukumaran]


Feast Next Year - With Sri Sukumaran & family in Chennai


The Sadhya... More items to come This are just the sidies ;)

Other associated rituals and fesitivities include Pulikali (Tiger Dance), Thiruvathirakali (Women dancing in honor of Lord Shiva), Kummattikali

Now that the fun part is done, for some deeper significance (May not be politically or even religiously correct but this is what the festivaal held out as learnings for me)

This festival is the best example of Sanatana Dharma tradition - Even an Asura who is a true Bhakta (devotee) is venerated - Goes to show that it is not the "Who" that matters but the "What". Being an Asura did not preclude him from being worshipped, his virtues were recognized and aspired for. Which by extension also means there is no concept of Sinners - only people who commit acts of sin. Love or hate the "Act" not the "Actor" It is a value that I alway cherished & forms part of my introduction in the "About" page

Secularism was an essential part of our Festivals. It was all about revering and honoring the nature. Even the Mahabali song (in red above) indicates the Secular character. Bharateeya Sanskriti never talks in terms of  "Tolerance" but in terms of "Acceptance" (A bane these days? I tend to think so). I celebrated Onam with Mr. Thomas and family in 1993 while living in Nasik. Not sure if the radicalized society that the state has become, still allows him such niceties

Idols made of clay (I was told it is traditionally made from the soil for the fields that sustains their livelihood) is honoring the land that gives us everything and the immersion of the clay idol finally is to signify whatever we take has to be restored back to nature.

WISHING EVERYONE A VERY HAPPY ONAM

PS: In the Mahabali picture is Sri Praseed an ashramite and an ardent follower of His Holiness Sri Sri Ravi Shankar ji of The Art of Living 

Lord Ganesh - Not an External Power

On the eve of Ganesh Chaturthi 2013, presenting my piece which is translation of the Hindi talk on Ganesh Chaturthi delivered by His Holiness Pujya Gurudev Sri Sri Ravi Shankar of The Art of Living in HIS unimitable style. (I had originally blogged this in Septemeber 2003 on Art of Living's social forum www. esatsang.net)

Wishing everyone abundant blessings from the remover of obstacles, Lord Ganesha and a festival that is more fulfilling to all of you.

Our Ganesha - 2013 Arrives. Awaiting Installation & Puja

Let me have your feedback and suggestions for correction to improve this translation and make it more accurate, for the benefit of others.

(Translated from HIS original Hindi talk)

From the viewpoint of Sadhana(spiritual practices), Lord Ganesha is the ruler of Mooladhara Chakra (Primordial base centre). Adi Shankaracharya’s description of Lord Ganesha is unique and amazing. The form of Lord Ganesha that Adi Shankaracharya has projected to us is that of Parabramha–Supreme Brahman. “Ajam Nirvikalpam Nirakaram Ekam” - Lord Ganesh is verily the “Parabrahma – Supreme Brahman – Beyond Birth (Ajam), Beyond Imagination (Nirvikalpam) and Beyond Form (Nirakaram) and Ekam (Absolute) – the power of consciousness is Absolute.

This power is absolute which is Omnipresent (Sarvavyapi) when extended and sought to experience towards Mooladhara is Lord Ganesha. From this perspective, irrespective of the externally depicted form of Ganesha., like Elephant faced, there is a big secret behind this depiction – as the Ruler of Knowledge and Education. And Knowledge and Education for a person can happen only when there is Awareness. When there is Inertia or lack of awareness - Knowledge, education or progress in life is not possible. Therefore if you want to awaken this power of consciousness, then the ruler of this power, Lord Ganesha is to be invoked. And instead of treating Lord Ganesh as an external power or outside element, we consider HIM as a centre (Chakra) of our own power. We pray and meditate on Lord Ganesha by installing Lord Ganesha within ourselves, at the first or primary chakra (Mooladhara).

“Dhyanam Nirvishayam” meaning, in meditation there is nothing in our thoughts – nothing external or useless thoughts anyway but focusing on no particular deliberate thought. Then we experience a formless yet a manifest form of Ganesha in our thoughts during the prayer composed sweetly yet precisely by Adi Shankaracharya,

“Ajam Nirvikalpam Nirakaram Ekam;
Niranandam Anandam Advaita Purnam;
Param Nirgunam Nirvishesham Nireeham;
Parabrahma Roopam Ganesham Bhajema”

Those who can’t experience of the formless, over a period of sustained experience of manifested form reaches the formless Brahman. In India, there is this amazing and unique art of reaching formless Paramatma called Lord Ganesh by repeated worship of the manifest form of Ganesha, who is Gajavadhana. Parabrahma Roopam Ganesham Bhajema – worship that form of Ganesh that is Omnipresent.

“Jagatkaranam Karanam Jnaana Roopam;
Suradhim Sukhadim Gunesham Ganesham;
Jagatvyapinam Vishwavandyam Suresham;
Parabrahma Roopam Ganesham Bhajema.”

This Absolute power which is the very cause of the whole universe from which everything originated, that which keeps things going, the same power into which everything would be dissolved, this Causal Absolute Power is Paramatma (Supreme Soul) Ganesha to whom we prostrate and worship.

Even the study of the cause of the whole universe itself is supreme knowledge, which is Ganesha embodied – who is the knower and knowledge Himself. Ganesha thus is Knower, Knowledge and the Goal itself. We also begin worshipping Ganesha as a Goal which is not a superior form of worship. Any worship based on external materialistic object like Goal or aim, means there is not identification with self and a separation is seen. Therefore Ganesha is the cause as well as the knowledge of the reasons for that cause, the seer, and the Absolute – that is the power of Ganesha. These things are not understood by many of us but Rishis and Munis (Saints) who realized this, created different kinds of myths and stories for making it easily comprehensible and thus beneficial to everyone. When we make an Idol of Ganesha, we infuse life in it (Prana Pratishta) – it means let my life be infused in Ganesha. Let, the Ganesha manifested within my life force (Prana) go and get installed in this Idol so that we can play with this Idol and worship (puja). Puja is a game. If you carefully notice, Puja is an artful expression of our inner feelings (Bhaav).

Ganesha at home - A few years back

Thus a devotee always yearns to play with the God and never desires anything. If a devotee desires something, then this desire becomes bigger than devotion. Thus, a devotee desires God itself, to play with God for a while. The luminescence called God which is formless, beyond imagination and eternal power embedded within ourselves, is invoked, invited and infused into Manifest in the form an idol for us devotees to play is Ganesha Puja. During Prana Pratishta, we state that Ganesha’s life power is my life power and then we pray, “O God! Who is within me always, please manifest and stay in this Idol for a while because I wish to play with you. Whatever I have been given is a great favour from you, which I wish to offer it back to you” So we offer Water, fruits, flowers which is God’s bestowment to us in any case. We are perpetually given sun, moon which revolves around us which I offer it back in the form of Camphor lit fire taken round the Idol (Arti). In this manner, a devotee displays his inner feelings during the act of Puja.

After the puja, a devotee says O Lord! Now you may go back to my heart which is your abode. This process is called Visarjan. The specific process of restoring and re-creating the Lord to HIS abode is Visarjan. Kindly go back to my heart from where you came out to manifest in this idol just like how we take out the ornaments from the safe during festivals, wear it and return it back to the safe after the celebrations.

This celebration where an invaluable, precious knowledge and divine power is manifested for us to play games, enjoy and find fulfillment is Ganesha Festival. In this manner, after the puja we go and immerse the idol into water. It is pertinent now to realize that God is not just in the Idol. He is omnipresent, present everywhere and this power which is given a form and celebrated is Ganesh Chaturthi.

These forms of celebrations helps us in increasing enthusiasm and devotion (gratefulness) in our life. Sage Narada, who is a symbol of devotion in his Bhakti Sutras says, “As per Parasharya, displaying interest and enthusiasm in Puja (worship) is a sign of devotion” Thus, when we perform a worship, it should not be with anyone or to any person, it is with love and devotion. Mental Worship (worshipping in our minds) is a better form than External symbolic worship.

As Adi Shankaracharya says, during mental worship, Non-dual absolute is deemed as Ganesha. And this Absolute power called Ganapati is the very “Cause of Universe” Jagat karanam karana jnana roopam, suradhim, sukhadim – The very origin of happiness (Sukhadim) is in this Absolute power. When each atom of our being is filled with this power, enthusiasm and happiness just overflows and bubbles in us. It is not necessarily to show off outside. This display of enthusiasm, smile or happiness is useless. The inner blossoming is the Origin of Happiness – the love, enthusiasm and playfulness emanates from this space. He is the lord of all Qualities (guna). The absolute power of Self is also the lord of all gunas.

We think that we can obtain good gunas with practice. This is impossible. We have to start from the premise that “All the good qualities pre-exist in us. Bad qualities that we possess has been acquired from external source” With sadhana (Spiritual practices) these bad qualities is expelled and the good qualities which anyway is our true nature is unveiled and starts glowing. In Daivartha Sampat Vidayog, Lord Sri Krishna says, “Arjun, you already have divine qualities is already within you from the very beginning. So start from this premise that all good qualities are already in you. These lord of these qualities which is hidden is Ganapati. So worship Lord Ganesha so that all these good qualities blossom and prosper in us.

Jagatvyapinam Vishwavandyam Suresham;
Parabrahma Roopam Ganesham Bhajema

Lord Ganesha, you are omnipresent, your reach extends the whole universe, who is worshipped by everyone, who is accepted in all the corners of the world, every country accepts the God as formless, as the Ruler of qualities, one who is worshipped and greeted across the world, we worship you the Parabrahma (The Supreme Brahman).

“Gunathithamanam Chidanandaroopam;
Chidabasakam Sarvgam Gyanagamyam;
Muni Dhyeyam Akasharoopam Paresham;
Parabrahmaroopam Ganesham Bhajema”

Gunathithamanam – One who is beyond intellectual description of Quality (beyond attributes) Chidanandaroopam, what is the form of Lord Ganesha? It is Satchitananda roopa (Supreme Blissful form), playfulness, Blissful form.

Gunathithamanam Chidanandaroopam Chidabasakam Sarvgam Gyanagamyam - only if we have this Absolute power can Ganapati be experienced. If we have even an iota of awareness, then we can recognize this. This cannot be recognized by those from Intellectual level. Chidabasakam Sarvgam Gyanagamyam – Everywhere you are known and accepted as Knowledge itself. It is for this reason that Ganapati is considered as Ruler of Vidya (education) or knowledge. Perform worship of Ganapati before proceeding to any other worship. Imbibe the essence (Tatva) of Ganesha into oneself. We have to progress from Tamo guna (Attribute of being at Gross level) towards Satva guna (Attribute of being at Subtle level). This is the first phase/part of Worship.

Muni Dhyeyam Akasharoopam Paresham – what is your form? The form that Saints and the learned meditate upon which is like formless, unimaginable Space (Chidakash) is verily you, Lord Ganesha. You are not an object, nor a person but infinite space. Muni Dhyeyam Akasharoopam – You form is that which the Sages have learnt, which is omnipresent and infinite Space. Muni Dhyeyam Akasharoopam This is your actual form. Parabrahmaroopam Ganesham Bhajema, this form of Absolute and Supreme Brahman, Lord Ganesh, here is me worshipping and praying to you repeatedly. Therefore, install the Idol in front of you, worship with infinite love, meditate and experience Lord Ganesha from within.

This is the symbolic essence of Ganesh Chaturti festival, to awaken the Ganesha Tatva(essence) which is masked inside ourselves.

You can listen to the Original talk in Hindi  (Visuals are my creations. However the talk is Original recording)

Another talk of Pujya Gurudev Sri Sri Ravi Shankar on the significance of Parvati Creating Lord Ganesh out of dirt and Lord Shiva slaying Him is here 

Nest to Rest

As I shared the information on the Social media (Facebook and Twitter) that we are headed to our 61st Gurupuja and Satsang of 2013 this evening, I received a few queries (I assume they were genuine ones) primarily centered around 2 questions:

1. What is in it for you?


2. What is in it for others/Society?

Though we never thought about this on lines of question above, I was pleasantly surprised to find that each one of my co-passengers in this blissful journey, pretty much had same reasons for the above questions when I spoke to . This blog is a summary of Why we do what we do :-)



What is Satsang?

Googling for technical definitions of Satsangs will give you many descriptions: And I found this one pretty close to what has been our experience. Satsang is a Sanskrit word that means "gathering together for the truth" or, more simply, "being with the truth." Truth is what is real, what exists. So all there is, is Truth.

A few quotes on Satsang from the Founder of The Art of Living Foundation, His Holiness Pujya Gurudev Sri Sri Ravi Shankar ji who is the inspiration behind this journey of ours:

• "Satsang, the company of the Truth, is the resting place for the mind and the spirit.


• Give quality time to the divine, it will be rewarded. Give satsang and meditation your highest priority"


• "Why do people need homes? Can they live like animals in the forest without shelter? Even intelligent animals make their homes. Man needs protection from changing nature. So he builds a shelter for physical comforts. In the same way, for spiritual and mental comfort - Satsang is the shelter"


• "Satsang is the nest in which you can rest"

If we were to define experientially, On the outside, Satsang is the worldly version of an e-group, an opportunity & platform for us with some common interest to gather, enjoy, share and care.

Considering what a Satsang has done for each one of us, this is a very simplistic (and too limited definition). It is those moments when we just get together, sing, dance, meditate, share knowledge "SPONTANEOUSLY" Yes, the key here is "spontaneous". We have never have a template (except the Sampradayic/ traditional sequence, though not prescribed has become a feature), we never plan or design a Satsang. It just Happens, the theme or mood gets set spontaneously based on needs of "that moment" A fellow Satsangi added, this clarity and overtness happens due to dissolution of Ego.


It is an expression of the inner joy that we experience, our way to share and show that we care. To summarize, we often refer to such Evenings (we do have Satsangs during the day too) as an evening of Gaana, Dhyana, Gyaana and "Khaana" - a time when it touches our heart and douches our mind, fills our heart and stills our mind.

This also answers "What is in it for us"
Everything" :-) is a single word answer. We do it for our own joy and growth. On the material level, an opportunity for whole lot of us to hone our talents, improve confidence - we have been in Satsangs with participants from 30 (at homes) to 2800+ (Brahma Chaitanya Mandira in Chintamani on Vaikunta Ekadashi day), enhance our state of mind when we are able to give those moments of smile and joy to others, better our public speaking skills, network with like minded individuals and groups and the usual perquisites of Gossip (no vile ones though) and of course, the Food :-)

It is pertinent to also touch upon a question that someone asked - Isn't this a Hero Worship or Vyakti Puja? Even for a moment assuming that this argument was true, our answer was "So what? Why not, if it enhances our state of mind, does it matter?" It anyway is an essential part of our culture, revering and honoring those who have added value to our lives. Our Satsangs or Gurupuja is not about worshipping the photo or any individual, it is an expression of Gratitude and acknowledging their role in our spiritual quest from a state of fullness.


A few words on the significance of Gurupuja (almost always an essential part of our Satsangs these days) maybe pertinent here. Guru Puja is a thanksgiving ceremony remembering all the ancient rishis, seers, sages in the Holy tradition of Masters, who have brought this knowledge of self. Puja means that which comes from the fullness and the five elements, which are used & one of the highest expressions of devotion and gratitude to the Master. Chanting the Guru Puja unites our minds with the Holy tradition of Spiritual Masters.


Let me also add another important thing here. In more than a decade & a half that I have known and got inspired by this Master Sri Sri Ravi Shankar ji, there has been no attempt on His part to create thought-clones of Himself. He keeps emphasizing that everyone is equally endowed with the capacity to discriminate the Truth and the true teacher, or satguru, is within us. Guru Puja thus is more, a recogntion of the Guru Tatva or Essence of Master that is within us than a chant in praise of anyone else. In any case, Praising is a quality that we should nurture because that broadens our thinking - we always praise that which we aspire to become (or which we value)

What is in it for Others?
Nothing that we really plan for. We do it for our joy, our growth and our well-being. Anything else as the goal of our Satsang would be a lie :-)

While there, I would like to also mention that many things in life is infectious. Benefits of Satsangs like our Joy, Growth and General Well-Being (both physically and mentally), we believe is infectious too. It rubs off on those around us. A time when everyone turns inwards and realize the temporary nature of our temporal pursuits. A time to realize that real Joy is within us, A time to disconnect our Joy from the Events. Do we need any other benefits that we can be to others and society through this route!



Incidentally,we do also address "Annadata Sukhibhava, Godaaana/Goraksha, Organic Farming, Education, Cleanliness/Hygiene, Women empowerment and Self help Groups, Rural-Urban partnership (on equal terms) and so on. But then these are mundane stuff compared to the Unerasable "Smile" that we put on peoples' face.

We Share.... We Care....
||Jai Gurudev||

Updated with the 61st Satsang :)

Bheemana Amavasya - Honoring both Prakruti & Purusha

Today is Amavasya (New Moon Day) of the month Ashada of Hindu Calendar, also the last day of the month.  It is believed to be the day Lord Shiva was overcome by the devotion of Goddess Parvati and accepted her as his wife. It is celebrated as Bhimana Amavasya in Karnataka (and many other states).  It is also referred to as Pati Sanjeevini Vrata or also as Jyothi Bhimeshwara Vrata. It is celebrated for the well being of all the males in a family.

Traditionally, two lamps are made of Red Clay (supposed to be made of Kalikamba) or Thambittu (Wheat Flour) - one symbolizing Lord Shiva and another Goddess Paravati who is considered the Supreme Mother and every other Devis as a form of Parvati. They are first installed on grains (typically Rice) facing east


Traditional Red Clay Lamps replaced with Silver ones



The Puja starts going by tying a Turmeric Root to the right lamp (one on the right as we face) that signifies Parvati. The puja installation also has Surya (Sun), Chandra (Moon) and Kumbha (Pot).

The lamps are then lit and 9 stranded Gejje Vastra, Gandha (or Sandal) is an essential offering used in this puja. The tambula includes 9 Betel leaves and 9 Betel Nuts (Bettada adike) and a coconut

Gowri dara (also called Rakshe) or Thread smeared with Turmeric paste (9 stranded with 9 knots for Married and 5 stranded with 5 knots for the unmarried) is placed along with Samagri.  Granthi puja - for each Strand a puja is performed with an offering, which is subsequently tied by females of the family around their wrists.

Please note that there are variations depending on the region & family practices to the above

After the mandatory Ashotttara Puja of Lord Ganesh (to remove any obstacles), Lord Shiva & Parvathi is worshipped. Uma Maheshwara  Ashtottara puja is performed and the Gowri dara  is tied around the wrists.


All set. The main part of Puja done. Respects to this Lady


Daughter gets her Rakshe tied. Along with Blessings that None else can give her

Naivedya includes Karjura (Dates), Cosambari & other usual fruits. Traditional Kadubu filled with coins, staple food grains, &  dry fruits is prepared (It is called Bandhara or Treasure Chest) to signify the wealth. Post puja this is placed on either side of the Threshold (Hosilu) and crushed with their elbows by the males of the  family to signify abundant flow of material and spiritual wealth into the home.

Wife performs an Arati to her husband for health and long life.


I get an Arti today :-)

And then is the much awaited part of the festival - the food. Here is what was on offer at home today.


Traditional Fare, (except Pappad & Fried Curded Chillies) which is usually not made on this festival

Items: Chitranna (Lemon Rice), Cosambari, Groundnut Chutney Pudi, Midi Uppinakayi (Tender Mango Pickles), Appala (Pappad), Majjige Menasinakayi (Fried Curded Chilly), Hoorna Saaru (Rasam), Kaayi Holige (Obbattu)


The Batting Begins :-)

(Now you know the secret of my figure)

The most important part is Jyothi Bhimeshwara Katha Shravana after the lunch.  You can read the legend behind this festival and the story here (click on the link)

The holy month of Shravana begins tomorrow. May Lord Shiva's blessings be showered in abundance on everyone. It is also launches month long Shravan maasa Rudra Pujas & Satsangs by the Art of Living  Pundits (founded by His Holiness Pujya Gurudev Sri Sri Ravi Shankar) in various locations.

My friend Sindhu (@agnyaa on Twitter)  has also blogged on Bhimana Amavasya

||Mrityunjaya Rudraya Neelakanthaya Sambhave
Amriteshaya Sarvaya Mahadevaya The Mamaha||

Punyakoti to Arbudha - Secular Transformation

A request: Please read the Acknowledgement section without fail. Has an introduction to Nele Vasundhara, an exciting seva project

My earliest memory of this song, a part of the state’s oral tradition and a part of has been part of Kannada textbooks for decades, is listening to it with my brothers, crowding around our Old Murphy radio  when almost regularly it was broadcast on Akashavani (All India Radio) in the evenings. And when I reached Class 3 I pleasantly  discovered that it was part of  my Kannada Text and had to memorize the whole poem for my exams. Remember at that age even a 8-lined Sonnet is a Task, but part (syllabus pruned this 114 verse poem into some 40 stanzas) was something I looked forward to learn.

That is the charm this touching story of an encounter between Punyakoti (The Cow) and Arbhudha (the Tiger) it holds to anyone who has been educated in Karnataka or followed Kannada folk literature even in the passing. This epic folk song was immortalized by its inclusion in the filmy adaptation of  the noted Kannada Novelist Sri  SL Bhyrappa's 1968 novel "Tabbali Neenade Magane" (Son, you have been orphaned). You can watch (and hear) the song below from Sri Sri Productions (This movie producer has no relation whatsoever to His Holiness Sri Sri Ravi Shankar or Art of Living :) )

[youtube=http://www.youtube.com/watch?feature=player_embedded&v=mUNtHRXyWXY]

Though the original Poet of this popular Kannada folk song is  not known, noted Kannada and Sanskrit Scholar Prof DL Narasimhachar extracted and translated this ancient verse from the Sanskrit Epic Ithihasa-Samuchchya. 

I am including the Lyrics of the Original song (Partial and relevant to this piece) at the end of this piece, as we learnt for years more to serve as a record for the future & to preserve the original flavour of this touching verse-story which is under serious threat of Macaulization under the garb of Secularism. What is baffling is the academia doctoring scripts of ancient folk literature to nurture particular vote bank and political reasons and trying to pass it off as original. With passing years and knowing how every part of India's history has been fudged and fiddled, I am sure a day will come when this "raped" version will be treated as Original. A worrisome trend, as most of our ancient texts would be changed by these left leaning intellectuals for whom anything traditional or cultural to Bharat is an anathema.  As it were, as I write this piece our children is being forced to learn a different version of this ancient verse if we don't resist it now.

When I opened the Times of India (30th July 2013) newspaper this morning a headline screams - "Original version of Punyakoti will be back in books" Surprising part is attempt to convey that it is back to "Original Version" Reading the article further proves the headline that is contradictory. It conceded what is Original version (I have summarized below) & yet headline screams it is being changed back to Original.

First, what is this song about: A song which originally highlighted & propagates ingrained virtues of our Bharateeya culture of Sacrifice, Maternal bonding, Concern for other living beings & environment, Honesty and upholder of the Value "Truth is God" The song can be summarized thus:



Punyakoti a pious cow was accosted by a tiger named Arbudha who was not able to get a prey for more than a week & was extremely hungry. When he was about to pounce, helpless Punyakoti pleads to spare her till such time her hungry calf waiting for her is fed and swears by God and mother earth to return to be consumed by the tiger. What is critically conveyed in this verse is compassionate nature of the Tiger who despite being hungry was quite understanding of a mother's plea.



Punyakoti, pious natured that she was, rushed to her calf, feeds it and explains that their earthly bonding is coming to an end as she has to keep the promise to return to the tiger to be killed and be its food. She also prays to her other cows  to take care of her to orphaned child. With a motherly concern, she gives her calf instructions on of how to carry herself in future, she returned to the forest and the death awaiting her. 



Arbudha was shocked at this honesty and sacrificing nature of Punyakoti and feels so remorseful and guilty for killing lot of helpless creatures. Tears rolling from his eyes, he spares Punyakoti saying that God would not spare  him if she killed a honest and helpless creation to satiate his hunger . He then seeks pardon from the God, for all the evil acts committed earlier and jumps off the cliff to get liberated.



Both Arbudha and Punyakoti thus are considered equally blessed and virtuous

This new version (which the Intelligensia is trying to pass off as original) is part of the Siddaramaiah led Congress government’s  efforts in the name of “desaffronising”  textbooks. An AHINDA (Minorities-Backward Classes-Dalits) version of the popular Kannada folk ballad ‘Govina Haadu’ is being proposed by the movement representatives  for inclusion in school lessons.

Poet-playwright K Y Narayanaswamy who has now penned the AHINDA version of Govina Haadu, titled Huliya Haadu, brazenly justifies it saying "The best way to counter a move is to make another version of the same move”.

What is worse and more damaging is that a litterateur, Sri KYN, who is supposed to protect the originality and essence of an ancient literary gem in existence from ancient times, is the prime mover to tamper with Kannada Literature.

In KYN version:  It is not a tiger, but a tigress who wants to feed her hungry cub, by claiming Punyakoti as prey. The cub persuades the tigress to let Punyakoti go feed her calf and return. In the end, the tigress and Punyakoti understand each other as mothers, and Punyakoti returns home. The tigress, however, is killed by the cowherd Kalinga, who shoots her while “hiding behind the Taati tree/like Sri Raama killed Vaali”.

KYN says, it now has a poignant ending with the tiger cub asking,  “A tiger that can eat grass/is not there in the world we see. Oh sisters and oh brothers, All you living, breathing beings, How can I live without hunting? Answer now, the cub’s call.”

The most inane justification came from Sri Dwarakanatha, the originator of  AHINDA movement, "Narayanaswamy balances out the forces of nature and takes into account the welfare of both the cow and the tiger. It reflects the cruelty of man, rather than criticise the animal kingdom."

This is JUVENILE and DANGEROUS. This guy has no inkling of what Heritage or Literature means and decides what our children should study and how they study it. We cannot allow ignorant and self-serving political class to tamper with our Literature and obfuscate facts.

As I write, there is a move by people from the literaray field to bring an injunction and we should lend our support to them. 

Acknowledgements:

Thanks to Sri Prashant Vaidyaraj (Click on links to reach his profile on Twitter and Facebook), a selflless volunteer with Nele Vasundhara (Click this link Introduction of the Organization)   for sharing photographs used in this blog. Coincidentally, Nele Vasudha girls and boys performed the Punyakoti Govina Hadu (Click link to watch the video of the performance, You will not regret it) during the valedictory function of their Summer camp.

Lyrics of the Song (In Kannada)

ಧರಣಿ ಮಂಡಲ ಮಧ್ಯದೊಳಗೆ ಮೆರೆಯುತಿಹ ಕರ್ನಾಟ ದೇಶದೊಳಿರುವ ಕಾಳಿಂಗನೆಂಬ ಗೊಲ್ಲನ ಪರಿಯನೆಂತು ಪೇಳ್ವೆನು ಎಳೆಯ ಮಾವಿನ ಮರದ ಕೆಳಗೆ ಕೊಳಲನೂದುತ ಗೊಲ್ಲ ಗೌಡನು ಬಳಸಿ ನಿಂದ ತುರುಗಳನ್ನು ಬಳಿಗೆ ಕರೆದನು ಹರುಷದಿ ಗಂಗೆ ಬಾರೆ ಗೌರಿ ಬಾರೆ ತುಂಗಭದ್ರೆ ತಾಯಿ ಬಾರೆ ಪುಣ್ಯಕೋಟಿ ನೀನು ಬಾರೆ ಎಂದು ಗೊಲ್ಲನು ಕರೆದನು ಗೊಲ್ಲ ಕರೆದ ದನಿಯ ಕೇಳಿ ಎಲ್ಲ ಹಸುಗಳು ಬಂದು ನಿಂತು ಚೆಲ್ಲಿ ಸೂಸಿ ಹಾಲು ಕರೆಯಲು ಅಲ್ಲಿ ತುಂಬಿತು ಬಿಂದಿಗೆ ಸತ್ಯವೇ ಭಗವಂತನೆಂಬ ಪುಣ್ಯಕೋಟಿಯ ಕಥೆಯಿದು  ಹಬ್ಬಿದಾ ಮಲೆ ಮಧ್ಯದೊಳಗೆ ಅರ್ಭುತಾನೆಂದೆಂಬ ವ್ಯಾಘ್ರನು ಅಬ್ಬರಿಸಿ ಹಸಿ ಹಸಿದು ಬೆಟ್ಟದ ಕಿಬ್ಬಿಯೊಳು ತಾನಿದ್ದನು ಸಿಡಿದು ರೋಶದಿ ಮೊರೆಯುತಾ ಹುಲಿ ಗುಡಿಗುಡಿಸಿ ಭೋರಿಡುತ ಚಂಗನೆ ತುಡುಕಲೆರಗಿದ ರಭಸಕಂಜಿ ಚೆದರಿ ಹೋದವು ಹಸುಗಳು ಪುಣ್ಯಕೋಟಿ ಎಂಬ ಹಸುವು ತನ್ನ ಕಂದನ ನೆನೆದುಕೊಂಡು ಮುನ್ನ ಹಾಲನು ಕೊಡುವೆನೆನುತ ಚೆಂದದಿ ತಾ ಬರುತಿರೆ ಇಂದೆನಗೆ ಆಹಾರ ಸಿಕ್ಕಿತು ಎಂದು ಬೇಗನೆ ದುಷ್ಟ ವ್ಯಾಗ್ರನು ಬಂದು ಬಳಸಿ ಅಡ್ಡಗಟ್ಟಿ ನಿಂದನಾ ಹುಲಿರಾಯನು ಸತ್ಯವೇ ಭಗವಂತನೆಂಬ ಪುಣ್ಯಕೋಟಿಯ ಕಥೆಯಿದು ಮೇಲೆ ಬಿದ್ದು ನಿನ್ನನೀಗಲೆ ಬೀಳಹೊಯ್ವೆನು ನಿನ್ನ ಹೊಟ್ಟೆಯ ಸೀಳಿಬಿಡುವೆನು ಎನುತ ಕೋಪದಿ ಖುಳ್ಳ ವ್ಯಾಘ್ರನು ಕೂಗಲು ಒಂದು ಬಿನ್ನಹ ಹುಲಿಯೆ ಕೇಳು ಕಂದನಿರುವನು ದೊಡ್ಡಿಯೊಳಗೆ ಒಂದು ನಿಮಿಷದಿ ಮೊಲೆಯ ಕೊಟ್ಟು ಬಂದು ಸೇರುವೆ ನಿಲ್ಲಿಗೆ ಹಸಿದ ವೇಳೆಗೆ ಸಿಕ್ಕಿದೊಡವೆಯ ವಶವ ಮಾಡದೆ ಬಿಡಲು ನೀನು ನುಸುಳಿ ಹೋಗುವೆ ಮತ್ತೆ ಬರುವೆಯ ಹುಸಿಯ ನಾಡುವೆ ಎಂದಿತು ಸತ್ಯವೇ ನಮ್ಮ ತಾಯಿ ತಂದೆ ಸತ್ಯವೇ ನಮ್ಮ ಬಂಧು ಬಳಗ ಸತ್ಯ ವಾಖ್ಯಾಕೆ ತಪ್ಪಿ ನಡೆದರೆ ಮೆಚ್ಚನಾ ಪರಮಾತ್ಮನು ಸತ್ಯವೇ ಭಗವಂತನೆಂಬ ಪುಣ್ಯಕೋಟಿಯ ಕಥೆಯಿದು

ಕೊಂದು ತಿನ್ನುವೆನೆಂಬ ಹುಲಿಗೆ ಚೆಂದದಿಂದ ಭಾಷೆ ಇಟ್ಟು ಕಂದ ನಿನ್ನನು ನೋಡಿ ಹೋಗುವೆ ನೆಂದು ಬಂದೆನು ದೊಡ್ಡಿಗೆ ಆರ ಮೊಲೆಯನು ಕುಡಿಯಲಮ್ಮ ಆರ ಸೇರಿ ಬದುಕಲಮ್ಮ ಆರ ಬಳಿಯಲಿ ಮಲಗಲಮ್ಮ ಆರು ನನಗೆ ಹಿತವರು ಅಮ್ಮಗಳಿರಾ ಅಕ್ಕಗಳಿರಾ ಎನ್ನ ತಾಯೊಡ ಹುಟ್ಟು ಗಳಿರಾ ಕಂದ ನಿಮ್ಮವನೆಂದು ಕಾಣಿರಿ ತಬ್ಬಲಿಯನೀ ಕರುವನು ಮುಂದೆ ಬಂದರೆ ಹಾಯಬೇಡಿ ಹಿಂದೆ ಬಂದರೆ ಒದೆಯಬೇಡಿ ಕಂದ ನಿಮ್ಮವನೆಂದು ಕಾಣಿರಿ ತಬ್ಬಲಿಯನೀ ಕರುವನು ಸತ್ಯವೇ ಭಗವಂತನೆಂಬ ಪುಣ್ಯಕೋಟಿಯ ಕಥೆಯಿದು  ತಬ್ಬಲಿಯು ನೀನಾದೆ ಮಗನೆ ಹೆಬ್ಬುಲಿಯ ಬಾಯನ್ನು ಹೋಗುವೆನು ಇಬ್ಬರಾ ಋಣ ತೀರಿತೆಂದು ತಬ್ಬಿಕೊಂಡಿತು ಕಂದನ ಗೋವು ಕರುವನು ಬಿಟ್ಟು ಬಂದು ಸಾವಕಾಶವ ಮಾಡದಂತೆ ಗವಿಯ ಬಾಗಿಲ ಸೇರಿನಿಂತು ತವಕದಲಿ ಹುಲಿಗೆಂದಿತು ಖಂಡವಿದೆಕೋ ಮಾಂಸವಿದೆಕೋ ಗುಂಡಿಗೆಯ ಬಿಸಿ ರಕ್ತವಿದೆಕೋ ಚಂಡ ವ್ಯಾಘ್ರನೆ ನೀನಿದೆಲ್ಲವ ನುಂಡು ಸಂತಸದಿಂದಿರು ಪುಣ್ಯಕೋಟಿಯ ಮಾತ ಕೇಳಿ ಕಣ್ಣ ನೀರನು ಸುರಿಸಿ ನೊಂದು ಕನ್ನೆಯಿವಳನು ಕೊಂದು ತಿಂದರೆ ಮೆಚ್ಚನಾ ಪರಮಾತ್ಮನು ಎನ್ನ ಒಡಹುಟ್ಟಕ್ಕ ನೀನು ನಿನ್ನ ಕೊಂದು ಏನ ಪಡೆವೆನು? ಎನ್ನುತಾ ಹುಲಿ ಹಾರಿ ನೆಗೆದು ತನ್ನ ಪ್ರಾಣವ ಬಿಟ್ಟಿತು ಸತ್ಯವೇ ಭಗವಂತನೆಂಬ ಪುಣ್ಯಕೋಟಿಯ ಕಥೆಯಿದು  ಪುಣ್ಯಕೋಟಿ ನಲಿದು ಕರುವಿಗೆ ಉಣ್ಣಿಸೀತು ಮೊಲೆಯ ಬೇಗದಿ ಚೆನ್ನ ಗೊಲ್ಲನ ಕರೆದು ತಾನು ಮುನ್ನ ತಾದಿಂತೆಂದಿತು ಎನ್ನ ವಂಶದ ಗೋವ್ಗಳೊಳಗೆ ನಿನ್ನ ವಂಶದ ಗೊಲ್ಲರೊಳಗೆ ಮುನ್ನ ಪ್ರತಿ ಸಂಕ್ರಾಂತಿಯೊಳಗೆ ಚೆನ್ನ ಕೃಷ್ಣನ ಭಾಜಿಸಿರಿ ಈವನು ಸೌಭಾಗ್ಯ ಸಂಪದ ಭಾವ ಜಾತಿಪ ಕೃಷ್ಣನು

The Hindi version of this Amazing Song rendered by Mohammed Rafi is below